I’ll wait…)Īs an aside, readers routinely ask if something like the mini or, especially, the iMac could work for audio production. (You do the math to work out how much more you get from a Quad than a Duo. The Satellite is available as a “DUO” and “QUAD,” indicating the number of internal processors.
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The 17″ MacBook Pro continues to support ExpressCard, but FireWire 800 offers greater processing power (and is less prone to popping out, as cards in the ExpressCard slot have a nasty tendency to do).
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The UAD-2 Satellite makes use of FireWire 800 instead, thus opening up compatibility with recent Intel-based MacBook Pro laptops as well as the iMac and Mac mini. As Apple have largely phased out ExpressCard expansion, Mac users have found themselves without a solution. That’s led to an array of buses, like PCI Express slots (which requires jamming a card into a desktop computer) or ExpressCard.
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The challenge has always been how to get data between the computer and the DSP device. (Early Digidesign products and even the IRCAM-developed predecessor of Max/MSP all used DSP hardware.) DSP also naturally appeals to sound engineers: it’s hardware built for the sole purpose of doing the kinds of number crunching in audio, as opposed to the general-purpose architecture of a computer CPU. Dedicated DSP processing goes back to the very first days of digital audio on computers. The most important thing to know about it is that it’s intended for select Intel Macs, and it’s equipped with FireWire 800. I’ve had a chance to begin working with the Satellite as my main platform for UAD’s plug-ins for some months now, and it’s an extraordinary box. That’s not to take away from the joys of outboard gear, but if you’ve got some decent engineering chops, such a rig could really be a studio that can live anywhere. Coupled with a MacBook Pro laptop, you could very easily carry your entire studio on a bicycle. Enclosed in a metal housing about the size of a large-ish external hard drive, the Satellite could absolutely fit into the side pocket of a computer backpack or messenger bag. Into that picture, enter the Universal Audio UAD-2 Satellite. Or, you can look at it another way: with computers more powerful than ever, with digital processing sounding more convincing both as emulation of traditional gear and in imagining never-before-possible sounds, the digital studio in a backpack is even closer. With all the horsepower computers are now packing, you might be surprised at the idea of adding on dedicated hardware for sound processing.
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